{"id":452,"date":"2020-08-10T17:49:47","date_gmt":"2020-08-10T15:49:47","guid":{"rendered":"http:\/\/sahrdaya-yoga.com\/?p=452"},"modified":"2022-08-31T23:20:46","modified_gmt":"2022-08-31T21:20:46","slug":"sahrdaya","status":"publish","type":"post","link":"https:\/\/sahrdaya-yoga.com\/index.php\/2020\/08\/10\/sahrdaya\/","title":{"rendered":"Sah\u1e5bdaya"},"content":{"rendered":"\n
\"\"
Hilma af Klint,\u00a0Altapiece, No 1, Group X<\/em>, 1915, huile et feuille de m\u00e9tal sur toile, 237,5 x 179,5 cm, \u00a9 Stiftelsen Hilma af Klints Verk<\/figcaption><\/figure><\/div>\n\n\n\n

Hrid ou Hridaya<\/h2>\n\n\n

En Sanskrit cela renvoie \u00e0 l\u2019Espace du c\u0153ur, l’Ether du C\u0153ur, le C\u0153ur divin, le C\u0153ur universel, le C\u0153ur du seigneur\u2026
C’est une expression en intime relation avec la notion de Spanda<\/em> (vibration)<\/p>\n

<\/p>\n\n\n

 <\/p>\n\n\n\n

Sah\u1e5bdaya ou Sahridaya (\u0938\u0939\u0943\u0926\u092f)<\/h2>\n\n\n\n

En Sanskrit :
\u2014 [expression] avec le c\u0153ur;
\u2014 [adjectif] dit d\u2019une personne qui a bon c\u0153ur, pleine de sentiments, sinc\u00e8re, compatissante<\/p>\n\n\n\n

 <\/p>\n\n\n\n

La r\u00e9sonance du c\u0153ur<\/h2>\n\n\n\n

\u00catre \u00e9veill\u00e9 c’est \u00eatre sensible, \u00ab\u00a0dou\u00e9 de coeur\u00a0\u00bb, sensible \u00e0 la beaut\u00e9. C’est le contraire de l’indiff\u00e9rence. Selon Abhinava Gupta, incarnation reconnue de Shiva et ma\u00eetre en toutes les traditions du Tantra : <\/strong>Sah\u1e5bdaya<\/em> d\u00e9finit un amateur \u00e9clair\u00e9, une personne capable de ressentir l\u2019espace de r\u00e9sonance entre lui et une \u0153uvre d\u2019art. Quelqu\u2019un qui appr\u00e9cie l\u2019\u00e9motion exprim\u00e9e lors d\u2019une exp\u00e9rience esth\u00e9tique [rasa].<\/p>\n\n\n\n


tath\u0101 hi madhure g\u012bte spar\u015be v\u0101 candan\u0101dike \/\/ m\u0101dhyasthyavigame y\u0101sau
hrdaye spandam\u0101nat\u0101 \/ \u0101nanda\u015baktih saivokt\u0101 yatah sahhdayo janah \/\/ Abhinavagupta,
Tantr\u00e2loka III, 209b-210<\/strong><\/p>\n\n\n\n


\u00ab\u00a0Ce fr\u00e9missement dans le coeur
quand on entend une douce m\u00e9lodie,
quand on sent une sensation agr\u00e9able,
quand on hume du santal et autres (choses semblables),
quand l’\u00e9tat d’indiff\u00e9rence dispara\u00eet,
est l’\u00e9nergie divine de f\u00e9licit\u00e9.
C’est par elle qu’une personne
est dite ‘dou\u00e9e de coeur'\u00a0\u00bb.<\/p>\n\n\n\n

<\/p>\n\n\n\n

 <\/p>\n\n\n\n

\u00ab\u00a0L\u2019\u00e9merveillement\u00a0\u00bb ne peut jamais se produire dans le mental, qui n\u2019utilise que du connu, mais dans le c\u0153ur, seul apte \u00e0 saisir le fr\u00e9missement initial de l\u2019\u00e9nergie. Toute sensation subtile part du C\u0153ur et vient s\u2019y r\u00e9sorber.<\/p>


\u00ab\u00a0Le C\u0153ur est le centre de tous les lieux sacr\u00e9s. Allez-y explorez-le.\u00a0\u00bb
<\/p>Bhagavad Nityananda<\/cite><\/blockquote>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans son commentaire sur Dhvanyaloka, Abinavagupta d\u00e9finit Sah\u1e5bdaya comme un amateur \u00e9clair\u00e9. Soit une personne capable de ressentir l\u2019espace de r\u00e9sonance entre lui et une \u0153uvre d\u2019art. Quelqu\u2019un qui appr\u00e9cie l\u2019\u00e9motion exprim\u00e9e lors d\u2019une exp\u00e9rience esth\u00e9tique [rasa].<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[3],"tags":[],"yoast_head":"\nSah\u1e5bdaya - Sahrdaya<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sahrdaya-yoga.com\/index.php\/2020\/08\/10\/sahrdaya\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sah\u1e5bdaya - Sahrdaya\" \/>\n<meta property=\"og:description\" content=\"Dans son commentaire sur Dhvanyaloka, Abinavagupta d\u00e9finit Sah\u1e5bdaya comme un amateur \u00e9clair\u00e9. 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